The Character Kenesary Khan in Ilyas Esenberlin's Novel Gazap (Gocebeler III) and in Gabit Musirepov's Novel Ulpan
dc.contributor.author | Kundakci, Mustafa | |
dc.date.accessioned | 2024-09-29T16:10:14Z | |
dc.date.available | 2024-09-29T16:10:14Z | |
dc.date.issued | 2019 | |
dc.department | Karabük Üniversitesi | en_US |
dc.description.abstract | In this article, a comparative study will be applied on the character Kenesary Khan in different works of Kazakh literature Gazap (Gocebeler III) (Ilyas Esenberlin-1969) and Ulpan (Gabit Musirepov-1974). This study, which aims to show how the artistic understanding of the authors who use historical characters in the narrative genre is affected by the ideology of the period, will try to determine the destructive effect of socialist realism on the artistic and philosophical life of the Turkic geography. It is accepted that historical novels, which can be accepted as the intersection of literature and history, correspond to a need in social life. Although both fields are different in nature and method, especially the narrative genre can make use of the unique opportunities of these two fields and reveal very important works examples. As can be understood from the examples mentioned above, the field of Kazakh literature is quite rich in this respect. It will be pointed out the reasons why the literature, which declares that it aims to tell the truth, shows the nature of falsifying historical facts contrary to expectations. Historical traces that could answer the differences between these two periods were investigated for Turkish origin nations exploited in every sense both in Tsarist Russia and Soviet Russia. It will be tried to reveal how the memory of nations has been destroyed by giving the historical facts via the character Kenesary Khan. Analyzes will be made about the evaluations that the historical novel type is used as an ideological propaganda tool in Soviet Russia. | en_US |
dc.identifier.doi | 10.7596/taksad.v8i2.2137 | |
dc.identifier.endpage | 492 | en_US |
dc.identifier.issn | 2147-0626 | |
dc.identifier.issue | 2 | en_US |
dc.identifier.startpage | 480 | en_US |
dc.identifier.uri | https://doi.org/10.7596/taksad.v8i2.2137 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14619/8058 | |
dc.identifier.volume | 8 | en_US |
dc.identifier.wos | WOS:000473298400042 | en_US |
dc.identifier.wosquality | N/A | en_US |
dc.indekslendigikaynak | Web of Science | en_US |
dc.language.iso | tr | en_US |
dc.publisher | Karabuk Univ | en_US |
dc.relation.ispartof | Tarih Kültür Ve Sanat Araştırmaları Dergisi-Journal of History Culture and Art Research | en_US |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Kazakh literature | en_US |
dc.subject | Historical novel | en_US |
dc.subject | Ilyas Esenberlin | en_US |
dc.subject | Gabit Musirepov | en_US |
dc.subject | Gazap | en_US |
dc.subject | Ulpan | en_US |
dc.subject | Kenesary Khan | en_US |
dc.subject | Socialist realism | en_US |
dc.title | The Character Kenesary Khan in Ilyas Esenberlin's Novel Gazap (Gocebeler III) and in Gabit Musirepov's Novel Ulpan | en_US |
dc.type | Article | en_US |