ASKERI SILAH VE KIYAFET TASVIRLERINDEKI PSEUDO -KUFILERIN DEGERLENDIRILMESI

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dc.contributor.authorGur, Durmus
dc.contributor.authorKarakok, Cahit
dc.date.accessioned2024-09-29T16:07:48Z
dc.date.available2024-09-29T16:07:48Z
dc.date.issued2022
dc.departmentKarabük Üniversitesien_US
dc.description.abstract[No abstract available]en_US
dc.identifier.doi10.29135/std.1097218
dc.identifier.endpage1141en_US
dc.identifier.issn1300-5707
dc.identifier.issn2636-8064
dc.identifier.issue2en_US
dc.identifier.startpage1117en_US
dc.identifier.trdizinid1198603en_US
dc.identifier.urihttps://doi.org/10.29135/std.1097218
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1198603
dc.identifier.urihttps://hdl.handle.net/20.500.14619/7186
dc.identifier.volume31en_US
dc.identifier.wosWOS:001182266200013en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakTR-Dizinen_US
dc.language.isoenen_US
dc.publisherE.U. Printing And Publishing Houseen_US
dc.relation.ispartofSanat Tarihi Dergisi-Journal of Art Historyen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectByzantineen_US
dc.subjectWall Paintingen_US
dc.subjectKuficen_US
dc.subjectPseudo-Kuficen_US
dc.subjectMilitary Clothes.The subject of the study was the military weapons in the depictions and theen_US
dc.subjectpseudo-kufic in clothes. The pseudo-kuficen_US
dc.subjectwhich were seen in Byzantine and Western arten_US
dc.subjectin the 9th centuryen_US
dc.subjectand which were applied in Christian religious structures as of the 10then_US
dc.subjectcenturyen_US
dc.subjectwere evaluated by scientists as a purely symbolic form of semantic and visualen_US
dc.subjectexpression that was borrowed from a foreign language that could not be read. The dualen_US
dc.subjectnature of pseudo-kuficen_US
dc.subjectin which Arabic namesen_US
dc.subjectversesen_US
dc.subjectgood intentionsen_US
dc.subjectand wishes wereen_US
dc.subjectconveyeden_US
dc.subjectallowed them to spread in a wide range and be evaluated as a transitionalen_US
dc.subjectdecoration at the crossroads of various fields. It was reported previously that the practicesen_US
dc.subjectexplained with various expressions such as tradeen_US
dc.subjectconquesten_US
dc.subjectoccupationen_US
dc.subjectcaptivesen_US
dc.subjectanden_US
dc.subjectinteraction had an essentially apotropaic meaningen_US
dc.subjectand those that could not be read wereen_US
dc.subjectornaments that had decorative designs. It was determined that pseudo-kufic in depictions ofen_US
dc.subjectmilitary weapons and clothing had a special meaningen_US
dc.subjectand thereforeen_US
dc.subjectthey were frequentlyen_US
dc.subjectapplied in Byzantine paintingen_US
dc.subjectillustrated manuscriptsen_US
dc.subjectand small handicrafts. The Arabicen_US
dc.subjectindependent letters in the depictions of military clothes and weaponsen_US
dc.subjectthe texts in the formen_US
dc.subjectof the abbreviation of the verse Al-Mulk or Al-Mulk Lillah had a U-form or mirror formen_US
dc.subjectstructure. The application of the verse Al-Mulk or Al-Mulk Lillah on military weapons anden_US
dc.subjectclothes depictions in practice shows that the expression of power was at the forefront ratheren_US
dc.subjectthan the meaning of property in buildings and other works.en_US
dc.titleASKERI SILAH VE KIYAFET TASVIRLERINDEKI PSEUDO -KUFILERIN DEGERLENDIRILMESIen_US
dc.typeArticleen_US

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